209 Compliments & Comments For Singers

As a Singing trainer, it’s at all times good to have quite a lot of methods to speak along with your college students. Typically you’ll wish to reward them as they carry out completely. Different instances you’ll wish to give them suggestions to assist them enhance.

Regardless of the case, we’ve quite a lot of feedback for good singers beneath, in addition to constructive criticism for various conditions.

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Compliments For Good Singers

Whereas the beneath are enhances for when a singer does nicely, some might be higher suited to completely different conditions. It’s finest to get an concept of all of them, then use those you see slot in every occasion.

1. I can see you are actually bettering.
2. Your diction was superb.
3. I like the way you confirmed emotion all through the efficiency.
4. Good work on the low A.
5. I like the way you sound when Singing falsetto.
6. Your voice is so calming.
7. Good use of your open vowels.
8. You sound identical to the unique singer.
9. Your tone is beautiful.
10. Good job mixing between your chest voice and head voice.
11. You probably did an important job Singing round your vocal break.
12. Your voice is so wealthy and heat.
13. Your voice is so mild and bouncy.
14. I like the track you selected on your voice.
15. Nice work with the massive leaps between notes!
16. Glorious breath management by way of the lengthy passages.
17. I like the way you took fast breaths when needed.
18. Your Singing made me really feel (unhappy, nice, and many others.).
19. I liked the way you made the track your individual.
20. You sounded improbable in your excessive register/low register.
21. Good work utilizing dynamics inside your Singing.
22. (For a duet) Your voices mix so nicely collectively.
23. (For a bunch) Nice job stagger respiration all through the track.
24. You stayed proper in tune with the piano all the time!
25. I like the way you belted the notes.
26. Nice work with these diphthongs.
27. Nice job getting again on observe after a sluggish begin.
28. Good work Singing whereas enjoying the piano/guitar.
29. I can let you know’ve been working exhausting at these excessive notes, they usually sound nice.
30. The melismas sound clear and polished.
31. Your whistle tones are stunning.
32. Good use of vocal fry for these low notes.
33. I like the way you projected your Singing all through all the room.
34. Glorious phrasing all through the efficiency.
35. Your voice resonates so fantastically.
36. I am keen on your vibrato and your selection of when and when to not use it.
37. Nice assault firstly of every phrase.
38. You actually stood out from the group as a soloist.
39. The colour of your voice could be very versatile.
40. I like how sultry your voice sounds.
41. Nice placement of your sound to make the music resonate.
42. I liked the place you selected to push and pull the music.
43. Your voice actually grew with among the long-held notes.
44. Good job sight-Singing this melody.
45. I may hearken to you Sing all day.
46. Your power helped you Sing so nicely.
47. You selected the proper key on your vocal vary.
48. I like your cowl of this track, and also you sound pretty much as good as the unique singer.
49. You stayed on pitch and received again on rapidly once you fell off.
50. I wish to hear you Sing extra!
51. Your low register could be very full as a soprano.
52. Your excessive notes are superb as an alto.
53. Your voice sounds very full for a tenor.
54. Glorious low register, baritone!
55. You probably did an important job with that top C.
56. You sound very centered and grounded as you Sing.
57. I like how mature your voice sounds as a younger singer.
58. Your voice could be very full for a newbie, and also you sound nice.
59. I like how youthful your voice is at the same time as you age.
60. You might have a pleasant, growly tone that is excellent for rock music.
61. I like how your voice is mild and versatile, which is nice for pop Singing.
62. Your voice is so soulful and ideal for R&B!
63. I like how your voice will get ethereal however not too ethereal.
64. You actually shine when Singing jazz music.
65. Your voice sounds superb once you Sing opera.
66. The event of your voice is superb to listen to.
67. I liked the way in which you sang straight from the refrain to the bridge.
68. You do an important job Singing scat.
69. You held very nicely throughout lengthy phrases, by tensing the ab muscle tissues to keep up a constant tone.
70. Good legato phrasing in the course of the sluggish sections.
71. I can inform out of your voice you’ve got labored actually exhausting on this piece.
72. You sound superb when Singing in Spanish.
73. I like the way you sang so confidently from the beginning.
74. Your voice sounds superb on this key.
75. Good job with the important thing change and never abruptly Singing off pitch.
76. You sound like you might be on Broadway.
77. With that voice, I believe you might be the subsequent massive singer in Hollywood.
78. Your voice is not like every other singer I’ve ever heard.
79. I like how your voice sounds with the saxophone background.
80. You actually know when to carry again and when to belt.
81. It is best to write an authentic track to focus on your voice.
82. I like how heat your voice sounds within the decrease register.
83. As you get greater, I like how you retain your voice from sounding too skinny.
84. You remind me of my favourite singer rising up.
85. I like how you narrow off every word on the proper time.
86. You do an important job altering notes on the identical syllable.
87. Your voice matches the type of the track very nicely.
88. I like the way you separate the repeated notes and make every one really feel like its personal.
89. These entrances on excessive notes sound clear and lovely.
90. You have completed a tremendous job memorizing the tough lyrics.
91. I like the way you “Sing” by way of the rests within the music.
92. The best way you balanced the lyrics and melody made a whole lot of sense in your efficiency.
93. Your voice is de facto darkish and sultry.
94. I like the brilliant tone of your voice.
95. You used the proper quantity of vibrato on that final word.
96. I want I may maintain notes so long as you possibly can.
97. Your stage presence could be very commanding, and I believe that helps you Sing higher.
98. Whenever you Sing for an viewers, your sound is way more assured than once you simply Sing for me in classes.
99. Your Singing makes me wish to be taught Italian.
100. You sang this track a lot better as we speak than the final time I heard you.
101. I liked your vibrato on the F#.
102. You selected the proper tempo for this track.
103. Glorious phrasing between the sluggish and quick sections.
104. Nice job sustaining your full tone all through the track.
105. I’ve by no means heard you Sing that nicely earlier than!
106. Your voice flows very naturally and sounds nice with the music.
107. I liked the way you went straight from a rap again into Singing with out lacking a beat.
108. Your cowl of this track sounds higher than different covers I’ve heard.
109. I like the way you embodied the type of the music in your voice.
110. On this solo, you actually gave the impression of a pop star/opera diva, and many others.
111. The order during which you carried out your songs helped you along with your vocal endurance and informed a narrative.
112. I believe you selected the proper track to showcase your full vary as a singer.
113. You sound classically skilled, even with out years of classes!
114. Your voice is ideal for nation music/pop, and many others.
115. I would love to listen to you Sing a track in French.
116. You sound such as you’ve been Singing your entire life.
117. Nice job anticipating your vocal entrances and respiration forward of time.

Constructive Criticism For Singers

Typically, issues go improper in a efficiency or Singing lesson. Take into account a couple of Singing trainer feedback for singers or different lecturers.

Like with compliments, the very best constructive feedback will differ between songs and performances. Take into account the next concepts to assist type a useful remark.

118. You might use extra breath assist.
119. Be certain your lungs are increasing in all instructions as you Sing.
120. It is best to attempt to stand straight in order that your voice can sound fuller.
121. I would love to listen to extra connection to the track.
122. I did not really feel a lot emotion out of your Singing.
123. Might I hear the (sopranos, altos, and many others.) extra?
124. (For a bunch) Strive to not breathe all on the identical time.
125. Keep away from respiration in the course of a phrase.
126. You began getting a bit flat towards the tip.
127. It sounded a bit sharp at factors.
128. I wish to hear you employ extra vibrato.
129. Your voice sounds a bit skinny within the excessive register.
130. Strive to not push too exhausting within the extremes.
131. Let’s attempt the identical track in a unique key to see if it higher matches your vocal vary.
132. Good work on the melismas, however attempt to do them extra slowly.
133. Can we attempt a unique track to higher showcase your vocals?
134. I wish to hear you enunciate the phrases extra.
135. Your power was a bit low for what the track wants.
136. I may hardly hear your voice over the accompaniment.
137. The blending between registers wants a little bit of apply.
138. I believe your tone may very well be extra (darkish, open, and many others.).
139. Do not begin Singing so loud (or so quietly) since you want room to make use of dynamics.
140. I would love to listen to extra management of your vocals.
141. You possibly can take extra time with the buildup to the refrain.
142. I wish to hear you make clearer assaults in the beginning of every phrase.
143. You might use extra dynamics.
144. It sounds such as you’re straining a bit within the excessive/low register.
145. I would love to listen to extra of your vocal tone in your Singing.
146. Do not let accompanying your self hold you from Singing nicely.
147. (For a duet) Your voices clashed a bit, and I believe you might mix higher.
148. The whistle tones are off to an important begin however may very well be clearer.
149. Your falsetto sounded a bit unsteady.
150. I would love to listen to you set your individual spin on the track.
151. Add some character to the track and lyrics.
152. Put your self within the place of the unique singer. (to assist with the character, and many others.)
153. You might place your Singing extra in the direction of the entrance of your mouth.
154. The massive leaps within the melody sounded a bit strained.
155. I would love to listen to the soloist greater than the remainder of the group.
156. Add some phrasing to the track to make it extra distinctive.
157. It is best to hearken to the accompaniment a bit extra.
158. I believe bettering your posture would assist your tone and intonation.
159. You should use extra of your voice. (some under-Sing, so they will not sound as full)
160. Take into account including vocal ad-libs, akin to vocal runs, to your efficiency.
161. You may get into character extra once you Sing.
162. Remember to hearken to your self and modify as wanted.
163. Really feel the beat as you Sing to assist keep in time.
164. Strive to not transfer an excessive amount of since that may have an effect on your respiration.
165. Your vocal tone is not as wealthy because it may very well be.
166. Use a tuner as you Sing this track, particularly once you Sing a capella.
167. Take time along with your runs so that every word comes by way of.
168. Get pleasure from your self whilst you Sing as a result of it is purported to be enjoyable!
169. I want your voice was extra clear within the low/excessive register.
170. Your German diction may use some work.
171. I believe eradicating the repeat will aid you get by way of the remainder of the track extra simply.
172. Throughout your runs, I seen you bought a little bit pitchy, however you bought again on pitch after.
173. You used a little bit an excessive amount of vibrato on among the quicker notes.
174. I might love to listen to a slower, wider vibrato.
175. It is best to attempt utilizing a smaller, quicker vibrato.
176. The vibrato was a bit unsteady at instances.
177. Your excessive notes sounded a bit pinched.
178. It gave the impression of your low notes had been a bit strained, so chances are you’ll wish to transpose the track up.
179. Strive Singing the track a bit quicker to assist sustain the power.
180. You slowed down a little bit an excessive amount of on the finish, and I believe that is why you could not maintain the word so long as you needed.
181. I would love to listen to you Sing with extra confidence.
182. If you happen to took a barely bigger breath firstly, I believe you might do a a lot better job.
183. Your Singing sounds a bit tense, so attempt to open up your vocal cords.
184. It sounds such as you’re growing vocal nodules, so attempt to not push your self.
185. It is best to take a break from Singing to let your voice heal.
186. I want you’d Sing extra age-appropriate repertoire and wait to Sing opera. (This remark is sweet for youthful singers.
187. This opera function is healthier for a (soprano, mezzo, and many others.).
188. Your excessive C was just a bit flat.
189. Your low G was a tad sharp.
190. You may need began Singing too quick to enunciate all the phrases.
191. I believe you might work on the refrain to make it sound clearer and extra stunning.
192. You could wish to apply that transition between the rap and vocals to make it extra clean.
193. I would love to listen to you’re employed on the stylistic a part of your voice.
194. You got here in a beat early/late throughout one in all your entrances.
195. I want you’d have informed extra of a narrative along with your Singing.
196. The primary word you sang was a bit flat/sharp.
197. It sounded such as you dropped a phrase or two within the refrain.
198. Your voice received too smooth to listen to after your excessive C.
199. It is best to select a shorter track as a way to actually deal with the notes and lyrics subsequent time.
200. The runs you added had been only a bit too over-the-top for the temper of the track.
201. (To a refrain) Do not overpower the soloist by Singing too loud.
202. (To a soloist) Do not maintain your voice again; you get to be the lead singer right here.
203. Your voice will get pitchy as you get drained, so attempt to not overwork your self.
204. You might work in your use of dynamics to assist convey the feelings of the track.
205. I would like extra selection out of your Singing voice.
206. Actually hearken to the instrumental introduction to assist are available on pitch.
207. You might want to work on the way in which you say completely different consonants, like P or B.
208. Work in your assaults and the way you narrow off notes as a way to Sing in a greater type.
209. Do not wait till the final second to breathe, otherwise you’ll are available late along with your vocals.

Greatest Feedback For Singers, Remaining Ideas

Performers are at all times studying, so it helps to learn about some good feedback for singers. That approach, you possibly can specific what your pal or scholar did nicely and the way to enhance.

Be sure you give you some superior track feedback as they carry out. Doing so will help you determine what you wish to say, and you do not have to recollect particular moments after the very fact.

Refer again to this checklist when you possibly can’t discover the phrases you are searching for. However do not be afraid to make use of the concepts to encourage your individual distinctive feedback.